How old should a child be before they watch horror Fast x?
Officially, the Fast & Furious franchise includes nine feature films, with the tenth along the way, and also a spin-off, Hobbs & Shaw (2019), which did not please Vin Diesel at all. However, that is only the main story: true fans know that the Gospel In accordance with Toretto has spread through animated series ? Fast X Film & Furious: Spies at Full Throttle (2017-2021)?, video gaming, an attraction in all the Universal theme parks and a couple of short films simply for the, very insiders.
The first of them has the incredible title of The Turbo Charged Prelude for just two 2 Fast 2 Furious (2003) and is, well, a straightforward prelude to the next film, centered on how Brian O'Connor (Paul Walker) manages to evade the authorities. from LA until landing in Miami. The producers' idea was to determine a kind of connective tissue between the first two installments and fill a narrative gap that, in the end, consolidated Brian as the absolute protagonist of the story, since Diesel didn't want to return. A mere promotional material created for the internet ?hence its aesthetic, almost worth a Sisq� video clip?, although some UNITED STATES cinemas showed it before 2 Fast 2 Furious to provide the public a far more complete experience.
When you won't find anyone defending The Turbo Charged Prelude for just two 2 Fast 2 Furious being an essential piece of mythology, things are very different with regards to the next short. Los Bandoleros (2009), written and directed by Vin Diesel himself, introduces Tego Calder�n and Don Omar in to the saga, two musicians turned actors who would be essential pieces in some subsequent installments, especially Fast 5 (2011). Not only that, but it addittionally details what happened to the characters of Dom and Letty (Michelle Rodriguez) following the original film, as well as recovering Sung Kang's Han, whose friendship with the paterfamilias had been established by the end of Fast & Furious: Tokyo Race (2006). A lot more than an interlude between movies, Los Bandoleros is a refoundation of the franchise, a new beginning where Diesel allowed himself to adopt a more poetic and relaxed tone, in keeping with the natural settings of the Dominican Republic (where he himself, a reggaeton enthusiast, insisted that ought to be set). It isn't strictly necessary that you see it in your next fast and furious marathon, nonetheless it responds to the authorial vision of the main creative engine of it. Which makes it an interesting curiosity.
However, the story does not end there. Only probably the most dedicated to the cause know this, but you will find a secret, semi-official film that, thanks to director Justin Lin's capability to slip under Universal's radar, can be viewed as portion of the experience. From the certain perspective, sure, but take our word for it: the crime dramedy Better Luck Tomorrow (2002) traces the origins of the type Han Lue, also played by Kang (can you imagine any other actor in that role?). He and Lin have confirmed on multiple occasions that it's indeed the same character, so there is no reason, other than the obvious and boring copyright issue, to exclude her from canon. Actually, their presence transforms this cinematic universe right into a more expansive and richly nuanced place: it's funny to believe that while Dom and Brian were meeting in downtown L.A., the characters in Better Luck Tomorrow were living their very own ordeal a few feet away. kilometers of distance.
The story of how this indie film found its way into F&F is fascinating enough to miss. When screenwriter Chris Morgan heard that Universal was available to ideas for a third film in the series, he showed up at his offices with a pitch about how Dominc Toretto decides to travel to Japan to investigate the murder of a vintage friend. Since Diesel was not yet interested in returning to what would end up being his family ? he only wished to make a brief final cameo following the studio gave him the rights to The Chronicles of Riddick (2004) ? Morgan contacted Justin Lin to imagine a fresh protagonist. The director thought it might be a great possibility to cast an Asian-American actor as the franchise's new hero, but the producers flatly refused, arguing that someone like Lucas Black could have more potential at the box office. Lin reluctantly agreed, asking them to at least let him revise the script to create it less "offensive and outdated" (those were his words).